In music, a mordent is an ornament In music, ornaments are musical flourishes that are not necessary to carry the overall line of the melody , but serve instead to decorate or "ornament" that line. Many ornaments are performed as "fast notes" around a central note. The amount of ornamentation in a piece of music can vary from quite extensive (it was often so in indicating that the note is to be played with a single rapid alternation with the note above or below. Like trills, they can be chromatically The chromatic scale is a musical scale with twelve equally spaced pitches, each a semitone apart. A chromatic scale is a nondiatonic scale having no tonic due to the symmetry of its equally spaced tones modified by a small flat In music, flat, or Bemolle, means "lower in pitch." More specifically, in music notation, flat means "lower in pitch by a semitone ," and has an associated symbol (♭), which is a stylised lowercase "b" . The Unicode character '♭' (U+266D) is the flat sign. Its HTML entity is ♭, sharp In music, sharp means higher in pitch. More specifically, in musical notation, sharp means "higher in pitch by a semitone ," and has an associated symbol (♯), which is often confused with the number (hash) sign (#). The hash sign has two horizontal lines and two slanted lines, while the sharp sign has two vertical lines and two slanted or natural In musical notation, a natural sign is an accidental sign used to cancel a flat or sharp from either a preceding note or the key signature. If a bar contains a double sharp or double flat accidental and the composer wishes to denote the same note with only a single sharp or flat, a natural sign traditionally precedes the (single) sharp or flat accidental In music, an accidental is a note whose pitch is not a member of a scale or mode indicated by the most recently applied key signature. In musical notation, the symbols used to mark such notes, sharps (♯), flats (♭), and naturals (♮), may also be called accidentals. An accidental sign raises or lowers the following note from its normal pitch,. The term comes from the Latin Latin or sometimes Roman is an Italic language originally spoken in Latium and Ancient Rome. Although often considered a dead language, in view of the fact that it has no native speakers, a small number of scholars can fluently speak it and it continues to be taught in schools and universities and has been, and currently is, used in the process of mordere, meaning "to bite."

The mordent is thought of as a rapid single alternation between an indicated note, the note above (the upper mordent) or below (the lower mordent) and the indicated note again.

The upper mordent is indicated by a short squiggle; the lower mordent is the same with a short vertical line through it:
Piano mordents A passage firstly played with lower mordents, then played without.
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As with the trill, the exact speed with which the mordent is performed will vary according to the tempo In musical terminology, tempo is the speed or pace of a given piece. It is a crucial element of composition, as it can affect the mood and difficulty of a piece of the piece, but at moderate tempi the above might be executed as follows:

The precise meaning of mordent has changed over the years. In the Baroque period Baroque music describes a style of European classical music approximately extending from 1600 to 1750. This era is said to begin in music after the Renaissance and was followed by the Classical era. The word "baroque" came from the Portuguese word barroco, meaning "misshapen pearl", a strikingly fitting characterization of the, a mordent was a lower mordent and an upper mordent was a pralltriller or schneller. In the 19th century, however, the name mordent was generally applied to what is now called the upper mordent, and the lower mordent became known as an inverted mordent.[1]

In other languages the situation is different: for example in German Pralltriller and Mordent are still the upper and lower mordents respectively. Also note that this ornament in French, and sometimes in German, is spelled mordant.

Although mordents are now thought of as just a single alternation between notes, in the Baroque period it appears that a Mordent may sometimes have been executed with more than one alternation between the indicated note and the note below, making it a sort of inverted trill.

Also, mordents of all sorts might typically, in some periods, begin with an extra unessential note (the lesser, added note), rather than with the principal note as shown in the examples here. The same applies to trills, which in Baroque and Classical times would typically begin with the added, upper note. Practice, notation Music notation or musical notation is any system which represents aurally perceived music, through the use of written symbols, and nomenclature vary widely for all of these ornaments, and this article as a whole addresses an approximate nineteenth-century standard.

See also

References

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations where appropriate. (January 2010)
  1. ^ Taylor, Eric (1989). The AB Guide to Music Theory. London: Associated Board of the Royal Schools of Music. p. 93. ISBN The International Standard Book Number is a unique numeric commercial book identifier based upon the 9-digit Standard Book Numbering (SBN) code created by Gordon Foster, now Emeritus Professor of Statistics at Trinity College, Dublin, for the booksellers and stationers W.H. Smith and others in 1966 1-85472-446-0.
Musical notation Music notation or musical notation is any system which represents aurally perceived music, through the use of written symbols and development In European classical music, musical development is a process by which a musical idea is communicated in the course of a composition. It refers to the transformation and restatement of initial material, and is often contrasted with musical variation, which is a slightly different means to the same end. Development is carried out upon portions of
Staff In standard Western musical notation, the staff or stave is a set of five horizontal lines and four spaces, each of which represents a different musical pitch, or, in the case of a percussion staff, different percussion instruments. Appropriate music symbols, depending upon the intended effect, are placed on the staff according to their

Bar & Bar line In musical notation, a bar is a segment of time defined as a given number of beats of a given duration. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by a time signature (such as 3/4) · Clef A clef is a musical symbol used to indicate the pitch of written notes. Placed on one of the lines at the beginning of the staff, it indicates the name and pitch of the notes on that line. This line serves as a reference point by which the names of the notes on any other line or space of the staff may be determined · Da capo Da Capo is a musical term in Italian, meaning from the beginning . It is often abbreviated D.C. It is a composer or publisher's directive to repeat the previous part of music. In small pieces this might be the same thing as a repeat, but in larger works D.C. might occur after one or more repeats of small sections, indicating a return to the very · Dal segno In music notation, Dal segno (often abbreviated D.S.) is used as a navigation marker. From Italian for "from the sign," D.S. appears in sheet music and instructs a musician to repeat a passage starting from the sign shown at right, sometimes called the "segno" in English · Key signature In musical notation, a key signature is a series of sharp or flat symbols placed on the staff, designating notes that are to be consistently played one semitone higher or lower than the equivalent natural notes unless otherwise altered with an accidental. Key signatures are generally written immediately after the clef at the beginning of a line of · Ledger line A ledger line or leger line is musical notation to inscribe notes outside the lines and spaces of the regular musical staffs. A line slightly longer than the note is drawn parallel to the staff, above or below, spaced at the same distances as the notes within the staff · Musical mode In addition, from the end of the eighteenth century, the term began to be used in ethnomusicological contexts to describe pitch structures in non-European musical cultures, sometimes with doubtful compatibility · Musical scale In music, a scale is a group of musical notes collected in ascending and descending order, that provides material for or is used to conveniently represent part or all of a musical work including melody and/or harmony. Scales are ordered in pitch or pitch class, with their ordering providing a measure of musical distance · Rehearsal letter A rehearsal letter is a boldface letter of the alphabet in an orchestral score, and its corresponding parts, that provides a convenient spot from which to resume rehearsal after a break. Rehearsal letters are most often used in scores of the Romantic era, beginning with Louis Spohr. They may also be generically called rehearsal marks or rehearsal · Repeat sign In music, a repeat sign is the sign which indicates a section should be repeated. If the piece has one repeat sign alone, then that means to repeat from the beginning, and then continue on . A corresponding sign facing the other way indicates where the repeat is to begin. These are analogous to the instructions da capo and dal segno · Time signature The time signature is a notational convention used in Western musical notation to specify how many beats are in each measure and which note value constitutes one beat · Transposition In music transposition refers to the process of moving a collection of notes up or down in pitch by a constant interval. For example, one might transpose an entire piece of music into another key. Similarly, one might transpose a tone row or an unordered collection of pitches such as a chord so that it begins on another pitch. See also Transposing · Transposing instrument A transposing instrument is a musical instrument for which written notes are read at a pitch different from concert pitch, which a non-transposing instrument, such as a piano, would play. On a transposing instrument, a concert C is written as a different note; the concert pitch that is played for a written C determines the key that an instrument
Notes Notes are the "atoms" of much Western music: discretizations of musical phenomena that facilitate performance, comprehension, and analysis

Accidental In music, an accidental is a note whose pitch is not a member of a scale or mode indicated by the most recently applied key signature. In musical notation, the symbols used to mark such notes, sharps (♯), flats (♭), and naturals (♮), may also be called accidentals. An accidental sign raises or lowers the following note from its normal pitch, (Flat In music, flat, or Bemolle, means "lower in pitch." More specifically, in music notation, flat means "lower in pitch by a semitone ," and has an associated symbol (♭), which is a stylised lowercase "b" . The Unicode character '♭' (U+266D) is the flat sign. Its HTML entity is ♭ · Natural In musical notation, a natural sign is an accidental sign used to cancel a flat or sharp from either a preceding note or the key signature. If a bar contains a double sharp or double flat accidental and the composer wishes to denote the same note with only a single sharp or flat, a natural sign traditionally precedes the (single) sharp or flat · Sharp In music, sharp means higher in pitch. More specifically, in musical notation, sharp means "higher in pitch by a semitone ," and has an associated symbol (♯), which is often confused with the number (hash) sign (#). The hash sign has two horizontal lines and two slanted lines, while the sharp sign has two vertical lines and two slanted) · Dotted note In Western musical notation, a dotted note is a note with a small dot written after it. The dot adds a half as much again to the basic note's duration. If the basic note lasts 2 beats, the corresponding dotted note lasts 3 beats. A dotted note is equivalent to writing the basic note tied to a note of half the value, or with more than one dots, · Grace note A grace note is a kind of music notation used to denote several kinds of musical ornaments. When occurring by itself, a single grace note normally indicates the intention of either an appoggiatura or an acciaccatura. When they occur in groups, grace notes can be interpreted to indicate any of several different classes of ornamentation, depending · Note value In music notation, a note value indicates the relative duration of a note, using the color or shape of the note head, the presence or absence of a stem, and the presence or absence of flags (Beam A beam in musical notation is a thick line frequently used to connect multiple consecutive eighth notes , or notes of shorter value (indicated by two or more beams), and occasionally rests. Beamed notes or rests are groups of notes and rests connected by a beam; the use of beams is called beaming · Note head In music, a note head is the elliptical part of a note. Noteheads may be coloured completely black or white, indicating the note value . In a whole note, the note head is the only component of the note. Shorter note values attach a stem to the note head, and possibly beams or flags. The longer double whole note can be written with vertical lines · Stem Stems are the lines which extend from the notehead. Stems may point up or down. Different-facing stems indicate the voice for polyphonic music written on the same staff. For single-note melodies, the stems usually point down for notes on the middle line or higher, and up for those below. If the stem points up from a notehead, the stem originates) · Pitch Pitch represents the perceived fundamental frequency of a sound. It is one of the four major auditory attributes of sounds along with loudness, timbre and sound source location. When the actual fundamental frequency can be precisely determined through physical measurement, it may differ from the perceived pitch because of overtones, also known as · Rest A rest is an interval of silence in a piece of music, marked by a sign indicating the length of the pause. Each rest symbol corresponds with a particular note value: · Tuplet In music a tuplet is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" (Humphries 2002, 266). This is indicated by a number (or sometimes two), indicating the fraction involved. The notes involved are also often · Interval In music theory, the term interval describes the relationship between the pitches of two notes · Letter notation In music, letter notation is a system of representing a set of pitches, for example, the notes of a scale, by letters. For the complete Western diatonic scale, for example, these would be the letters A-G, possibly with a trailing symbol to indicate a half-step raise--, or a half-step lowering (flat, ♭). This is the most common way of specifying
Articulation In music, articulation refers to the direction or performance technique which affects the transition or continuity on single note or between multiple notes or sounds

Dynamics In music, dynamics normally refers to the volume of a sound or note, but can also refer to every aspect of the execution of a given piece, either stylistic or functional (velocity). The term is also applied to the written or printed musical notation used to indicate dynamics. Dynamics do not indicate specific volume levels, but are meant to be · Ornament In music, ornaments are musical flourishes that are not necessary to carry the overall line of the melody , but serve instead to decorate or "ornament" that line. Many ornaments are performed as "fast notes" around a central note. The amount of ornamentation in a piece of music can vary from quite extensive (it was often so in (Trill · Mordent · Grace note A grace note is a kind of music notation used to denote several kinds of musical ornaments. When occurring by itself, a single grace note normally indicates the intention of either an appoggiatura or an acciaccatura. When they occur in groups, grace notes can be interpreted to indicate any of several different classes of ornamentation, depending) · Ossia Ossia is a musical term for an alternative passage which may be played instead of the original passage. The word ossia comes from the Italian for "alternatively" and was originally spelled o sia, meaning "or be it" . Ossias are very common in opera and solo piano works. In practice, ossia passages usually are an easier version · Portato Portato in music denotes slurred staccato and is notated by adding a slur to staccato notes · Accent · Legato · Tenuto · Marcato · Staccato · Staccatissimo · Tie · Slur · Fermata · Tonguing
Development

Coda · Exposition · Harmony · Melody · Motif · Recapitulation · Rhythm (Beat · Meter · Tempo) · Theme · Tonality · Atonality
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Chord chart · Figured bass · Graphic notation · Lead sheet · Eye music · Modern musical symbols · Neume · Tablature

Categories: Ornament

 

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'Mordent' Blogs
A flat mordent
cyberflute.com
A flat mordent

unknown

ue, 22 Dec 2009 18:23:28 GM

I don't understand what I am supposed to do with an A . mordent. . It's not supposed to be a trill, but an alternation but between what two notes?

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'Mordent' Answers
What other types of flute technique are there?
Q. I am writing an experimental flute solo for myself and I need help with including special techniques. So far I have used trills, mordents, turns etc as well as playing two notes at once. I really want to include more varied flute-specific techniques and if any flute players have ideas I really need them. Note: I decided against tapping the flute against my teeth, playing left-handed or playing it with another part of my body as they are too experimental!!! lol Thanks xxx
Asked by woodgreener1 - Sat Aug 5 10:33:51 2006 - - 1 Answers - 0 Comments

A. Try flutter tonguing and it's also possible to play and sing into the flute at the same time. You can even play and sing two different notes. You can also use key slapping where you don't blow into the flute but instead get different tones by pressing down the keys hard. Good luck with your writing!
Answered by Reverie - Tue Aug 8 13:47:52 2006

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