Dada or Dadaism is a cultural movement A cultural movement is a change in the way a number of different disciplines approach their work. This embodies all art forms, the sciences, and philosophies. Historically, different nations or regions of the world have gone through their own independent sequence of movements in culture, but as world communications have accelerated this that began in Zürich Zürich or Zurich is the largest city in Switzerland and the capital of the canton of Zürich. It is located in central Switzerland at the northwestern tip of Lake Zürich. While the municipality itself has 380,500 inhabitants, the Zürich metropolitan area is an urbanised area of international importance constituted by a population of nearly 2, Switzerland, during World War I World War I was a military conflict that lasted from 1914 to 1918 and involved most of the world's great powers, assembled in two opposing alliances: the Allies and the Central Powers. More than 70 million military personnel, including 60 million Europeans, were mobilized in one of the largest wars in history. More than 15 million people were and peaked from 1916 to 1922.^[1] The movement primarily involved visual arts The visual arts are art forms that create works which are primarily visual in nature, such as ceramics, drawing, painting, sculpture, architecture, printmaking, modern visual arts , design and crafts. These definitions should not be taken too strictly as many artistic disciplines (performing arts, conceptual art, textile arts) involve aspects of, literature Literature , is the art of written works. Literally translated, the word literature means "acquaintance with letters" (as in the "arts and letters"). The two most basic written literary categories include fiction and nonfiction—poetry Poetry is a form of literary art in which language is used for its aesthetic and evocative qualities in addition to, or in lieu of, its apparent meaning. Poetry may be written independently, as discrete poems, or may occur in conjunction with other arts, as in poetic drama, hymns, lyrics, or prose poetry. It is published in dedicated magazines (, art manifestoes The Art manifesto has been a recurrent feature associated with the avant-garde in Modernism. Art manifestos are mostly extreme in their rhetoric and intended for shock value to achieve a revolutionary effect. They often address wider issues, such as the political system. Typical themes are the need for revolution, freedom and the implied or, art theory Aesthetics is a branch of philosophy dealing with the nature of beauty, art, and taste, and with the creation and appreciation of beauty. It is more scientifically defined as the study of sensory or sensori-emotional values, sometimes called judgments of sentiment and taste. More broadly, scholars in the field define aesthetics as "critical—theatre Theatre is a branch of the performing arts. While any performance may be considered theatre, as a performing art, it focuses almost exclusively on live performers creating a self contained drama. A performance qualifies as dramatic by creating a representational illusion. By this broad definition, theatre had existed since the dawn of man, as a, and graphic design Graphic design is a creative process — most often involving a client and a designer and usually completed in conjunction with producers of form — undertaken in order to convey a specific message (or messages) to a targeted audience. The term "graphic design" can also refer to a number of artistic and professional disciplines that, and concentrated its anti-war The term anti-war usually refers to the opposition to a particular nation's decision to start or carry on an armed conflict, unconditional of a maybe-existing just cause. The term can also refer to pacifism, which is the opposition to all use of military force during conflicts. Many activists distinguish between anti-war movements and peace politics through a rejection of the prevailing standards in art Art is the product or process of deliberately arranging symbolic elements in a way that influences and affects the senses, emotions, and/or intellect. It encompasses a diverse range of human activities, creations, and modes of expression, including music, literature, film, photography, sculpture, and paintings. The meaning of art is explored in a through anti-art Anti-art is a loosely-used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general. Anti-art tends to conduct this questioning and rejection from the vantage point of art. The term is associated with the Dada movement and is generally accepted as attributable to Marcel Duchamp pre-World cultural works. Its purpose was to ridicule what its participants considered to be the meaninglessness of the modern world. In addition to being anti-war, dada was also anti-bourgeois and anarchistic in nature.

Dada activities included public gatherings, demonstrations, and publication of art/literary journals; passionate coverage of art, politics, and culture were topics often discussed in a variety of media. The movement influenced later styles like the avant-garde Avant-garde means "advance guard" or "vanguard". The adjective form is used in English, to refer to people or works that are experimental or innovative, particularly with respect to art, culture, and politics and downtown music movements, and groups including surrealism Surrealist works feature the element of surprise, unexpected juxtapositions and non sequitur; however, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost, with the works being an artifact. Leader André Breton was explicit in his assertion that Surrealism was above all a, Nouveau réalisme Nouveau Réalisme refers to an artistic movement founded in 1960 by the art critic Pierre Restany and the painter Yves Klein during the first collective exposition in the Apollinaire gallery in Milan. Pierre Restany wrote the original manifesto for the group, titled the "Constitutive Declaration of New Realism," in April 1960,, pop art Pop art is an art movement that emerged in the mid 1950s in Britain and in the late 1950s in the United States. Pop art challenged tradition by asserting that an artist's use of the mass-produced visual commodities of popular culture is contiguous with the perspective of fine art. Pop removes the material from its context and isolates the object,, Fluxus Fluxus—a name taken from a Latin word meaning "to flow"—is an international network of artists, composers and designers noted for blending different artistic media and disciplines in the 1960s. They have been active in Neo-Dada noise music and visual art as well as literature, urban planning, architecture, and design. Fluxus is often and punk rock Punk rock is a rock music genre that developed between 1974 and 1976 in the United States, the United Kingdom and Australia. Rooted in garage rock and other forms of what is now known as protopunk music, punk rock bands eschewed the perceived excesses of mainstream 1970s rock. They created fast, hard-edged music, typically with short songs,.

Dada is the groundwork to abstract art and sound poetry, a starting point for performance art, a prelude to postmodernism, an influence on pop art, a celebration of antiart to be later embraced for anarcho-political uses in the 1960s and the movement that lay the foundation for Surrealism. —Marc Lowenthal, translator's introduction to Francis Picabia Francis Picabia was born in Paris of a French mother and a Spanish-Cuban father who was an attaché at the Cuban legation in Paris. His mother died of tuberculosis when he was seven. Some sources would have his father as of aristocratic Spanish descent, whereas others consider him of non-aristocratic Spanish descent, from the region of Galicia's I Am a Beautiful Monster: Poetry, Prose, And Provocation

Overview

Dada was an informal international movement, with participants in Europe and North America. The beginnings of Dada correspond to the outbreak of World War I. For many participants, the movement was a protest against the bourgeois In sociology and political science, bourgeoisie describes a range of groups across history. In the Western world, between the late eighteenth century to now, the bourgeoisie is a social class characterized by their ownership of capital and their related culture. A member of the bourgeoisie is a bourgeois or capitalist (plural: bourgeois; nationalist Nationalism involves a strong identification of a group of individuals with a political entity defined in national terms, i.e. a nation. Often, it is the belief that an ethnic group has a right to statehood, or that citizenship in a state should be limited to one ethnic group, or that multinationality in a single state should necessarily comprise and colonialist Colonialism is the building and maintaining of colonies in one territory by people from another territory. Colonialism is a process whereby sovereignty over the colony is claimed by the metropole and social structure, government and economics within the territory of the colony are changed by the colonists. Colonialism is a certain set of unequal interests, which many Dadaists believed were the root cause of the war, and against the cultural and intellectual conformity—in art and more broadly in society—that corresponded to the war.^[3]

Many Dadaists believed that the 'reason' and 'logic' of bourgeois capitalist Capitalism is an economic system in which the means of production and distribution are privately owned and operated for a private profit; decisions regarding supply, demand, price, distribution, and investments are made by private actors in the market rather than by central planning; profit is distributed to owners who invest in businesses, and society had led people into war. They expressed their rejection of that ideology in artistic expression that appeared to reject logic and embrace chaos Chaos typically means a state lacking order or predictability. In ancient Greece, it first meant the initial state of the universe, and, by extension, space, darkness, or an abyss (the antithetical, or possibly complementary, concept was cosmos), but later uses of the term by philosophers varied over time. In modern English, the word is used in and irrationality Irrationality is cognition, thinking, talking or acting without inclusion of rationality. The term is used, usually pejoratively, to describe thinking and actions that are, or appear to be, less useful or more illogical than other more rational alternatives. For example, George Grosz George Grosz was a German artist known especially for his savagely caricatural drawings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic before he emigrated to the United States in 1933 later recalled that his Dadaist art was intended as a protest "against this world of mutual destruction."^[4]

According to its proponents, Dada was not art, it was "anti-art Anti-art is a loosely-used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general. Anti-art tends to conduct this questioning and rejection from the vantage point of art. The term is associated with the Dada movement and is generally accepted as attributable to Marcel Duchamp pre-World". Everything for which art stood, Dada represented the opposite. Where art was concerned with traditional aesthetics Aesthetics is a branch of philosophy dealing with the nature of beauty, art, and taste, and with the creation and appreciation of beauty. It is more scientifically defined as the study of sensory or sensori-emotional values, sometimes called judgments of sentiment and taste. More broadly, scholars in the field define aesthetics as "critical, Dada ignored aesthetics. If art was to appeal to sensibilities, Dada was intended to offend. Through their rejection of traditional culture and aesthetics, the Dadaists hoped to destroy traditional culture and aesthetics.

As Hugo Ball expressed it, "For us, art is not an end in itself ... but it is an opportunity for the true perception and criticism of the times we live in."^[5]

A reviewer from the American Art News Founded in 1902, ARTnews is the oldest and most widely read fine arts magazine in the world. Published 11 times a year, it is the most recognized and influential publication in its field, and is read by an international audience of collectors, dealers, museum professionals, artists, teachers, historians, connoisseurs, and enthusiasts in 120 stated at the time that "Dada philosophy is the sickest, most paralyzing Paralysis is the complete loss of muscle function for one or more muscles. Paralysis can be accompanied by a loss of feeling in the affected area, if there is sensory damage as well as motor and most destructive thing that has ever originated from the brain of man." Art historians have described Dada as being, in large part, a "reaction to what many of these artists saw as nothing more than an insane spectacle of collective homicide Homicide refers to the act of a human killing a human being. A common form of homicide, for example, would be murder. It can also describe a person who has committed such an act, though this use is rare in modern English. Homicide is not always a punishable act under the criminal law, and is different than a murder from such formal legal point of."^[6]

Years later, Dada artists described the movement as "a phenomenon bursting forth in the midst of the postwar economic and moral crisis, a savior, a monster, which would lay waste to everything in its path. [It was] a systematic work of destruction and demoralization... In the end it became nothing but an act of sacrilege."^[6]

History

Zürich

In 1916, Hugo Ball, Emmy Hennings, Tristan Tzara Tristan Tzara was a Romanian and French avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he was known best for being one of the founders and central figures of the anti-establishment Dada movement. Under the influence of Adrian Maniu, the adolescent, Jean Arp Arp was born in Strasbourg. The son of a French mother and a German father, he was born during the period following the Franco-Prussian War when the area was known as Alsace-Lorraine after it had been returned to Germany by France. Following the return of Alsace to France at the end of World War I, French law determined that his name become Jean, Marcel Janco, Richard Huelsenbeck, Sophie Täuber, Hans Richter Hans Richter was a painter, graphic artist, avant-gardist, film-experimenter and producer. He was born in Berlin into a well-to-do family and died in Minusio, near Locarno, Switzerland, along with others, discussed art and put on performances in the Cabaret Voltaire expressing their disgust with the war and the interests that inspired it.

Some sources state that Dada coalesced on October 6 at the Cabaret Voltaire. Other sources state that Dada did not originate fully in a Zürich literary salon but grew out of an already vibrant artistic tradition in Eastern Europe, particularly Romania, that transposed to Switzerland when a group of Romanian modernist Modernism, in its broadest definition, is modern thought, character, or practice. More specifically, the term describes both a set of cultural tendencies and an array of associated cultural movements, originally arising from wide-scale and far-reaching changes to Western society in the late nineteenth and early twentieth centuries. The term artists (Tzara, Marcel & Iuliu Iancu, Arthur Segal, and others) settled in Zürich. In the years prior to WWI similar art had already risen in Bucharest and other Eastern European cities; it is likely that DADA's catalytic Catalysis is the change in rate of a chemical reaction due to the participation of a substance called a catalyst. Unlike other reagents that participate in the chemical reaction, a catalyst is not consumed by the reaction itself. A catalyst may participate in multiple chemical transformations. Catalysts that speed the reaction are called positive was the arrival at Zürich Zürich or Zurich is the largest city in Switzerland and the capital of the canton of Zürich. It is located in central Switzerland at the northwestern tip of Lake Zürich. While the municipality itself has 380,500 inhabitants, the Zürich metropolitan area is an urbanised area of international importance constituted by a population of nearly 2 of artists like Tzara and Janco .^[7]

Having left Germany and Romania during WWI, the artists found themselves in Switzerland Switzerland , officially the Swiss Confederation (Confœderatio Helvetica in Latin, hence its ISO country codes CH and CHE), is a federal republic consisting of 26 cantons, with Bern as the seat of the federal authorities. The country is situated in Western Europe[note 4] where it is bordered by Germany to the north, France to the west, Italy to, a country recognized for its neutrality. Inside this space of political neutrality they decided to use abstraction to fight against the social, political, and cultural ideas of that time. The dadaists believed those ideas to be a byproduct of bourgeois society, a society so apathetic it would rather fight a war against itself than challenge the status quo Status quo, a commonly used form of the original Latin "statu quo" - literally "the state in which" - is a Latin term meaning the current or existing state of affairs. To maintain the status quo is to keep the things the way they presently are. The related phrase status quo ante, literally "the state in which before",.^[8]

Marcel Janco recalled,

We had lost confidence in our culture. Everything had to be demolished. We would begin again after the tabula rasa Tabula rasa is the epistemological thesis that individuals are born without built-in mental content and that their knowledge comes from experience and perception. At the Cabaret Voltaire we began by shocking common sense, public opinion, education, institutions, museums, good taste, in short, the whole prevailing order.

The Cabaret closed its doors in early July and then at the first public soiree at Waag Hall^[9] on July 14, 1916, Ball recited the first manifesto. In 1918, Tzara wrote a second Dada manifesto considered one of the most important Dada writings. Other manifestos followed.

A single issue of the magazine Cabaret Voltaire was the first publication to come out of the movement.

After the cabaret closed down, activities moved to a new gallery and Hugo Ball left Europe. Tzara began a relentless campaign to spread Dada ideas. He bombarded French and Italian artists and writers with letters, and soon emerged as the Dada leader and master strategist. The Cabaret Voltaire re-opened, and is still in the same place at the Spiegelgasse 1 in the Niederdorf.

Zürich Dada, with Tzara at the helm, published the art and literature review Dada beginning in July 1917, with five editions from Zürich and the final two from Paris.

When World War I ended in 1918, most of the Zürich Dadaists returned to their home countries, and some began Dada activities in other cities.

Berlin

The groups in Germany were not as strongly anti-art Anti-art is a loosely-used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general. Anti-art tends to conduct this questioning and rejection from the vantage point of art. The term is associated with the Dada movement and is generally accepted as attributable to Marcel Duchamp pre-World as other groups. Their activity and art was more political Politics , is a process by which groups of people make collective decisions. The term is generally applied to behavior within civil governments, but politics has been observed in other group interactions, including corporate, academic, and religious institutions. It consists of "social relations involving authority or power" and refers and social The term Social refers to a characteristic of living organisms . It always refers to the interaction of organisms with other organisms and to their collective co-existence, irrespective of whether they are aware of it or not, and irrespective of whether the interaction is voluntary or involuntary, with corrosive manifestos The Art manifesto has been a recurrent feature associated with the avant-garde in Modernism. Art manifestos are mostly extreme in their rhetoric and intended for shock value to achieve a revolutionary effect. They often address wider issues, such as the political system. Typical themes are the need for revolution, freedom and the implied or and propaganda As opposed to impartially providing information, propaganda, in its most basic sense, presents information primarily to influence an audience. Propaganda often presents facts selectively to encourage a particular synthesis, or uses loaded messages to produce an emotional rather than rational response to the information presented. The desired, satire Satire is primarily a literary genre or form, although in practice it can also be found in the graphic and performing arts. In satire, vices, follies, abuses, and shortcomings are held up to ridicule, ideally with the intent of shaming individuals, and society itself, into improvement. Although satire is usually meant to be funny, its greater, public demonstrations and overt political activities. It has been suggested that this is at least partially due to Berlin's proximity to the front, and that for an opposite effect, New York's geographic distance from the war spawned its more theoretically-driven, less political nature.

In February 1918, Huelsenbeck gave his first Dada speech in Berlin, and produced a Dada manifesto later in the year. Hannah Höch and George Grosz used Dada to express post-World War I communist sympathies. Grosz, together with John Heartfield, developed the technique of photomontage during this period. The artists published a series of short-lived political journals, and held the First International Dada Fair, 'the greatest project yet conceived by the Berlin Dadaists', in the summer of 1920.^[10] As well as the main members of Berlin Dada, Grosz, Raoul Hausmann, Höch, Johannes Baader, Huelsenbeck and Heartfield, the exhibition also included work by Otto Dix, Francis Picabia, Jean Arp, Max Ernst, Rudolf Schlichter, Johannes Baargeld and others.^[10] In all, over 200 works were exhibited, surrounded by incendiary slogans, some of which also ended up written on the walls of the Nazi's Entartete Kunst exhibition in 1937. Despite high ticket prices, the exhibition made a loss, with only one recorded sale.^[11]

The Berlin group published periodicals such as Club Dada, Der Dada, Everyman His Own Football , and Dada Almanach.

Cologne

In Cologne, Ernst, Baargeld, and Arp launched a controversial Dada exhibition in 1920 which focused on nonsense and anti-bourgeois sentiments. Cologne's Early Spring Exhibition was set up in a pub, and required that participants walk past urinals while being read lewd poetry by a woman in a communion dress. The police closed the exhibition on grounds of obscenity, but it was re-opened when the charges were dropped.^[12]

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